'Brilliant ... Equal parts irreverent, cheeky and vitally important ... Charming ... Much too valuable to tuck away until the zombies come ... A gardening manual that you can put to use immediately, regardless of your situation' Zombie Research Society. Climate change? Brexit? Screaming brain-biters? Don't lose the plot, this book can help! Irreverent, straightforward and useful, it shows even complete beginners how to grow enough of their own food to survive when Armageddon arrives and imports collapse. Or even if they don't. A grow-your-own guide for the generation who'd rather eat compost than watch Gardeners' World, it tells you how to sow and grow 20 key crops, whether you have two pots, a patio or a whole allotment to play with. It takes you through what seeds, tools and other kit you'll need, teaches you how to plan and plant your site for maximum nutrition, and suggests gardening projects to get underway while civilization still stands, from growing dinner in a dustbin to a juice bar on a balcony. All while sticking a garden fork in the eye of the undead. Gardening for the Zombie Apocalypse: surviving has never been so much fun.

There are a number of controversies surrounding the International Criminal Court (ICC) in Africa. Critics have charged it with neo-colonial meddling in African affairs, accusing it of undermining national sovereignty and domestic attempts to resolve armed conflict. Here, based on 650 interviews over 11 years, Phil Clark critically assesses the politics of the ICC in Uganda and the Democratic Republic of Congo, focusing particularly on the Court's multi-level impact on national politics and the lives of everyday citizens. He explores the ICC's effects on peace negotiations, national elections, domestic judicial reform, amnesty processes, combatant demobilisation and community-level accountability and reconciliation. In attempting to distance itself from African conflict zones geographically, philosophically and procedurally, Clark also reveals that the ICC has become more politicised and damaging to African polities, requiring a substantial rethink of the approaches and ideas that underpin the ICC's practice of distant justice.

Since 2001, the Gacaca community courts have been the centrepiece of Rwanda's justice and reconciliation programme. Nearly every adult Rwandan has participated in the trials, principally by providing eyewitness testimony concerning genocide crimes. Lawyers are banned from any official involvement, an issue that has generated sustained criticism from human rights organisations and international scepticism regarding Gacaca's efficacy. Drawing on more than six years of fieldwork in Rwanda and nearly five hundred interviews with participants in trials, this in-depth ethnographic investigation of a complex transitional justice institution explores the ways in which Rwandans interpret Gacaca. Its conclusions provide indispensable insight into post-genocide justice and reconciliation, as well as the population's views on the future of Rwanda itself.

Since 2001, the Gacaca community courts have been the centrepiece of Rwanda's justice and reconciliation programme. Nearly every adult Rwandan has participated in the trials, principally by providing eyewitness testimony concerning genocide crimes. Lawyers are banned from any official involvement, an issue that has generated sustained criticism from human rights organisations and international scepticism regarding Gacaca's efficacy. Drawing on more than six years of fieldwork in Rwanda and nearly five hundred interviews with participants in trials, this in-depth ethnographic investigation of a complex transitional justice institution explores the ways in which Rwandans interpret Gacaca. Its conclusions provide indispensable insight into post-genocide justice and reconciliation, as well as the population's views on the future of Rwanda itself.

There are a number of controversies surrounding the International Criminal Court (ICC) in Africa. Critics have charged it with neo-colonial meddling in African affairs, accusing it of undermining national sovereignty and domestic attempts to resolve armed conflict. Here, based on 650 interviews over 11 years, Phil Clark critically assesses the politics of the ICC in Uganda and the Democratic Republic of Congo, focusing particularly on the Court's multi-level impact on national politics and the lives of everyday citizens. He explores the ICC's effects on peace negotiations, national elections, domestic judicial reform, amnesty processes, combatant demobilisation and community-level accountability and reconciliation. In attempting to distance itself from African conflict zones geographically, philosophically and procedurally, Clark also reveals that the ICC has become more politicised and damaging to African polities, requiring a substantial rethink of the approaches and ideas that underpin the ICC's practice of distant justice.

Frank Vickery is the only living Welsh playwrite who can continually fill large theatres with his new plays. He has a loyal audience in south Wales that continue to support and celebrate his unique voice. The plays in this volume represent the 10 year partnership between Vickery and the Sherman Theatre, Cardiff. Throughout the 1990's, Vickery wrote annually for the Sherman Theatre. "KISS ON THE BOTTOM" (1991) is an all female comedy set in a cancer ward of a hopital in the south Wales valleys. "EROGENOUS ZONES" (1992) is set in a city and shifts backward and forward in time to depict a triange of relationships. "ROOTS AND WINGS" (1995) again set in a hospital concerns two families and their attitudes to their son's homosexuality. Vickery is obsessed with the taboos' within society. These plays reflect his obsession and magnificently demonstrate how he transposes ordinary people's lives to the stage with relevance and great humour.

This book contains three of Wilde's short stories adapted into enchanting plays for young children. The Selfish Giant chases away spring and summer, leaving the garden in a permanent winter. Only when the giant realises his selfishness and opens his garden to the local children does the summer return bringing with it warmth, brightness and joy. The people of the town celebrate the unveiling of their new statue of The Happy Prince. But all is not as it seems with this new golden statue. In his desire to help the poor and suffering in the town, the Prince persuades a migrating swallow to assist him, and a timeless tale of love and kindness is born. What makes a good friend? Little Hans' best friend is Hugh the Miller but while Hans is happy to share all the lovely flowers and fruit from his garden, Hugh isn't quite so generous with his own things. Join three lively characters in "The Devoted Friend" as they explore the ups and downs of friendship in this new play for the very young.

This collection of one act plays is a flagsh ip of English language Welsh writing since 1950. It is aimed at both the amateur as well as the professional sector. The introduction charts the growth of professional theatre writ ing in Wales. ' From the Dylan Thomas classic, 'Return Journey', to the work of established names likes Charles Way and Frank Vickery, to the more recent plays by young writers like Edward Thomas and Ian Rowlands, this book presents a significant overview of the drama of our era. Though stylistically and thematically diverse, these plays all deliver thought-provoking characters, unusual situations and moving confrontations. Editor Phil Clark, Artistic Director of the Sherman Theatre in Cardiff, in his perceptive introduction, charts the growth of professional theatre-writing in Wales, acknowledges the powerful influence of the amateur movement, and finds areas of common influence among these various distinctive writers. As well as ensuring the continued performance of the many classics of the form written over the past four decades, this collection will be a catalyst for the future of drama in Wales.